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Each photo reveals the photographer; it is like a journey of self-discovery. — Mineko Orisaku
Mineko Orisaku Mineko Orisaku is a Professor of Photography at the Osaka University of Arts who has traveled the world capturing moments of scenic and human beauty with her uniquely gentle vision.
"I didn't realize it was possible to make a living as a photographer until I met my mentor, Shoji Ootake."

I studied drawing from the time I was in kindergarten, and loved painting, but other than taking a few souvenir snaps with an Olympus Pen camera when I was in high school, I wasn't that interested in photography. I didn't even realize it was possible to make a living as a photographer, and didn't think of it as something a woman would want to do.

At college, I was introduced to a well-known Japanese artist who lived near my dorm, and was completely swept away by his work. I thought it would be wonderful to be involved in the art world, and told him that I wanted to become an artist, too. "Don't even think about it," he said. "It's impossible to make a living as an artist."

I think my fascination with the art world goes back to my childhood in Ishikawa Prefecture, in an area where they make Kutani pottery, and where whenever I looked up, I saw Mt. Hakusan towering above me.

When I was in my second year of junior college, I was crowned Miss Universe, and it was during my term as Miss Universe that I met my photographic mentor, Shoji Ootake. He asked me what I wanted to do in life, and when I replied that I wanted to do something artistic, he said that I should become a photographer. At the time, I was so ignorant that I actually asked him, "Is photography really art?" I didn't realize how respected Mr. Ootake was in his field, and was later taken to task by my friends for being a complete naïf.

Mr. Ootake also told me about Sanae Numata, a successful woman photographer, and said that it was time for women to play a more prominent role in society. After that, I went straight to a bookstore to look for photo collections that I liked. And when I discovered Cartier-Bresson's work, I felt I had found a soul mate.

I began to see the photographic possibilities of composition and color, and to feel it was something I could really get into. After thinking it over for about six months, I finally went to Mr. Ootake's studio and asked him to make me his assistant. I really didn't know anything, but I thought I would give photography a try, and do the best I could.


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At Kinosaki Hot Springs
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Sakura
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Between the Sakura
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