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To me, cameras are inherently sensual, and photos are an expression of ecstasy.  - Kenji Ishiguro
Having completed his studies at the Kuwasawa Design School in 1959, Kenji Ishiguro received a Best New Artist award from the Photographic Society of Japan in the same year. Active ever since, his work encompasses both still photography and motion pictures.
"Showing Yasuhiro Ishimoto my early photos established a benchmark for how I evaluate my work."

I have written and spoken of this before, but it was primarily the influence of the renowned photographer Yasuhiro Ishimoto that made me choose photography as a career. As a junior high school student I was mad about cameras and used to take photographs of girls and other subjects for fun. But it was seeing Ishimoto's "Chicago" photos in a magazine that intensified my resolve and encouraged me to do better. In fact, I decided to enter the Kuwasawa Design School because Ishimoto was a lecturer there at the time. I wanted to show him some of my photos, but he was extremely busy, and it was difficult to catch him outside of class. So I went to his apartment in Gotokuji and sat on the stairs to wait for him. Eventually, he returned home with his wife, and I think it gave her quite a turn to see me hovering about!

Anyway, he examined my work, but to my surprise, said nothing at all. I discovered later that it was his habit to thank you if he thought your photographs were good, and simply to return them without a word if he was unimpressed. I'm embarrassed to admit now that the photographs I showed him merely mimicked his style, which obviously didn't impress him. That experience established a firm benchmark for how I evaluate my work -- imagining him saying thank you or remaining silent is a kind of litmus test for me.

While I was still at school, a camera magazine agreed to use some of my photographs. After my work appeared a few times, I received a Best New Artist award from the Photographic Society of Japan. They gave me 促50,000 to be used for a photographic exhibition the following year, which I thought was great. It was right at the time of growing resistance to the US-Japan Security Treaty in Japan. I found myself taking photos of Zengakuren student activists and young policemen, as well as apolitical jazz musicians, all of which I exhibited the following year under the title, "The Unfortunate Young." After that, I gradually started receiving job offers.


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